The Limehouse Golem


Horror / Thriller

Rotten Tomatoes Critics - Certified Fresh 77%
Rotten Tomatoes Audience - Spilled 59%
IMDb Rating 6.3 10 7680


Uploaded By: FREEMAN
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November 08, 2017 at 08:40 AM


Olivia Cooke as Lizzie Cree
Bill Nighy as John Kildare
Douglas Booth as Dan Leno
María Valverde as Aveline Ortega
720p 1080p
808.01 MB
23.976 fps
1hr 49 min
P/S 26 / 230
1.66 GB
23.976 fps
1hr 49 min
P/S 32 / 171

Movie Reviews

Reviewed by tomgillespie2002 7 / 10

Surely destined to enjoy cult status in later life

The Limehouse Golem, adapted from the novel by Peter Ackroyd, has lingered in development hell for years, being passed between various directors and actors (Alan Rickman pulled out at the last minute due to his failing health), before finally getting the green light in the hands of rookie filmmaker Juan Carlos Medina and screenwriter Jane Goldman. Boasting a terrific cast, a blood-drenched, smog- filled atmosphere, and a murder mystery that is as grisly as it is engaging, the film has sadly struggled to find an audience. With a measly number of ratings just shy of 4,000 on IMDb, its failure is truly unfortunate. The Limehouse Golem is, at its heart, a Sherlock Holmes-esque mystery set in a pre-Jack the Ripper London, complete with a frustrated detective, a handful of red herrings, a small band of colourful suspects. But dig a little deeper, and there's an interesting feminist work at play.

Beginning, as charismatic music hall performer Dan Leno (Douglas Booth) announces, at the end, Medina introduces to this eternally grey world with the death-by-poison of wannabe playwright John Cree (Sam Reid). His wife Lizzie (Olivia Cooke) is distraught, but her conniving maid Aveline (Maria Valverde) - whose role in the story becomes clearer through flashbacks - drops the hint to police that Lizzie is the one to make his nightcaps, and insisted on doing so the night the husband she wasn't very fond of died. The beginning, at we come to learn, is more like the middle, as this opening scene not only sets in motion Lizzie's story (she is arrested and faces the noose is found guilty), but may also hold the key to the identity of a brutal killer who has terrified the community of Limehouse with a series of nasty slayings - The Limehouse Golem.

We learn of the Golem's activities through John Kildare (Bill Nighy), a disliked Scotland Yard investigator brought in as a scapegoat when previous investigations have led to dead ends. Upright and quietly-spoken, Kildare is known as "not the marrying type," and has therefore found himself dumped in menial department ushered away in some dark corner, despite his obvious skills in the field. To help navigate the filthy slums, he procures the help of highly competent copper George Flood (Daniel Mays). Yet Kildare's hunt for the killer is made even more desperate by the ticking-clock that is Lizzie's trial, and saving her from the gallows becomes as equally important as preventing another murder victim. Man's urge to rescue a 'woman in need' is a prime focus of Medina's film, and Lizzie seems to find one at every turn. A victim of childhood abuse, she is also doted over by Cree, a nice guy on the face of it, but one driven by the need to sweep a girl away from nothing and into his handsome, middle-class arms.

Kildare quickly learns that Lizzie doesn't need to be, or even want to be, saved. Nighy may have received top billing, but this is very much Cooke's film. She has the most screen time, and handles Lizzie's development from a strong-willed working-class girl, into a star of the music hall, and eventually into a possible murderer, astonishingly well. As Leno, Booth plays the role like a big-toothed and less annoying version of Russell Brand, and shows remarkable restraint and skill in avoiding stumbling into caricature. But much praise must also be lavished on Medina and Goldman, who both manage to juggle the thrills and intrigue of a Victorian whodunit with a character piece that reveals far more layers than you would expect. When it does delve deeper into the mystery, Medina relishes the squalor, employing different characters to monologue the killer's diary as Kildare lines up the suspects, and delivering some surprisingly gory moments. Surely a film destined to enjoy cult success later in life, The Limehouse Golem is a truly unexpected delight.

Reviewed by colinsjones 10 / 10

The craft of film making at it's very best

I really loved this film. Right from the beginning, the music hall feel of the unfolding drama was very engaging. Intelligent editing and the fabulous script kept the pace of the plot at a rate which held my interest from start to finish as each twist and turn was revealed. John Kildare (Bill Nighy) was the methodical, steady influence which balanced the emotional excesses of the other characters. He only showed emotion when confronted with the inevitability of the fate of the intelligent and articulate Lizzie Cree (Olivia Cooke). The film used dramatic devices to great effect, showing several characters actually committing the awful crimes as each became suspect. The interleaving of the music hall version of the Lizzie Cree story with the live action which somehow heightened the suspense by making you smile thus relieving tension. The sets were a total joy, completely recreating Victorian environments in very convincing fine detail. The cast were superb, totally plausible and very engaging. Don't miss this fabulous film, the craft of film making at it's very best.

Reviewed by sjo-15 9 / 10

Great film - deserves to be a big hit

I really enjoyed this film.

There is real chemistry between Bill Nighy and Daniel Mays. Nighy is electrifying as ever. Most of the supporting cast are great. It has a gloomy atmosphere and the music hall setting works well (albeit a music hall with lots of music and absolutely zero musicians!).

Its not overly gory - this is a good thing as its the plot and character interplay that is strong here.

The ye olde London Town setting is well done.

The story moves along as quite a pace with red herrings and twists galore.

We guessed whodunit 2/3 of the way through - but it was an entertaining ride nonetheless.

This film is a cut above much of the generic and formulaic Hollywood fare we are fed these days.

Go see it quickly while its still in cinemas - its not nearly as big a hit as it deserves to be.

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